Evan Leversage, who is terminally ill with brain cancer, is greeted by a Christmas decorated dog with his mother Nicole Wellwood (L), and his father Travis Leversage (2nd R) in St. George, Ontario, Canada October 24, 2015. Evan Leversage is a seven-year-old boy who has been living with inoperable brain cancer since he was two years old. His family has organized a Christmas celebration in October complete with a full parade, in case Evan does not live to celebrate his last Christmas day on the traditional date of December 25, according to local media. (Photo by Mark Blinch/Reuters)

“The King”, Johnathon Haddock poses for a portrait with the Garland before the procession during “Castleton Garland Day” on May 29, 2019 in Castleton, England. The first records of Garland day date back to the 1700's and though it's true origins are not fully understood it is believed to be an ancient fertility rite with Celtic connections. (Photo by Dan Kitwood/Getty Images)

A heavily tattooed Japanese woman poses for photographs near Asakusa Temple during the third and final day of Sanja Festival, on May 20, 2018 in Tokyo, Japan. Sanja Festival is one of Japan's major festivals and is held annually in the Asakusa area of Tokyo. (Photo by Carl Court/Getty Images)

Serbian police officers of the Special Anti-Terrorist Unit pose for a picture in their base outside Belgrade October 8, 2014. When the killing of an unarmed black teenager by a white policeman in Ferguson, Missouri, in August sparked sometimes violent protests, the response of police in camouflage gear and armoured vehicles wielding stun grenades and assault rifles seemed more like a combat operation than a public order measure. Some U.S. police departments have recently acquired U.S. military-surplus hardware from wars abroad, but there are many law enforcers around the world whose rules of engagement also allow the use of lethal force with relatively few restrictions. But for every regulation that gives police wide scope to use firearms, there is another code that sharply limits their use. In Serbia, police may use measures ranging from batons to special vehicles, water cannon and tear gas on groups of people who have gathered illegally and are behaving in a way that is violent or could cause violence, but they may use firearms only when life is endangered. (Photo by Marko Djurica/Reuters)

Iraq's second largest city, Mosul, is locked under the rule of extremists from the Islamic State group trying to purge it of everything they see as contradicting their stark vision of Islam. A trove of photographs now housed at the Library of Congress offers a glimpse of a different Mosul – before wars, insurgency, sectarian strife and now radicals' rule. The scenes were taken in the autumn of 1932 by staff from the American Colony Photo Department during a visit to Iraq at the end of the British mandate. (Photo by AP Photo)

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.

A model poses beside the Porsche Hybrid during the media day of the Shanghai International Automobile Industry Exhibition at Shanghai New International Expo Center on April 19, 2011 in Shanghai, China. The 14th Shanghai International Automobile Industry Exhibition (Auto Shanghai 2011) will be held from April 21 to 28 with the theme of “Innovation For Tomorrow”. About 2,000 carmakers and parts providers from 20 countries are due to showcase 1,100 car models, 75 of which makes their world premieres in the auto show. (Photo by Feng Li/Getty Images)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.