A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)

A man looks at a mural painted on the walls of houses in Zaraeeb, created by French-Tunisian artist El Seed, in the shanty area known also as Zabaleen or “Garbage City” on the Mokattam Hills in eastern Cairo, Egypt, April 4, 2016. (Photo by Amr Abdallah Dalsh/Reuters)

In this Sunday, November 16, 2014 photo, Nepalese women pick tea at a tea garden of Kanyam in Illam district, around 500 kilometers (310 miles) from Katmandu, Nepal. Illam is a hilly district of tea gardens and estates in eastern Nepal's Himalayan region with one of its largest and most productive tea estate being Kanyam estates. The district produces orthodox tea, hand-processed or machine rolled, which is generally exported to international markets, specially Europe and the United States. Most of the tea pickers here are paid 186 Nepalese Rupees (US $ 2) for 8 hours of work everyday. (Photo by Niranjan Shrestha/AP Photo)

Gymnasts from the Pyongyang Circus Theater perform during Mother's Day Monday, November 16, 2020, in Pyongyang, North Korea. (Photo by Jon Chol Jin/AP Photo)

“Super Enerji”. Taken on my road trip through Turkey. (Photo and caption by Michelle Brandemuehl/National Geographic Traveler Photo Contest)

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Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.