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Vanessa: Hunts Point, Bronx

Vanessa: Hunts Point, Bronx

Vanessa, thirty-five, had three children with an abusive husband. She “lost her mind, started doing heroin”, after losing the children, who were taken away and given to her mother. The drugs led to homelessness and prostitution. She grew up on Arthur Avenue in the Bronx, but now spends her time in Hunts Point, “trying to survive everyday. Just doing whatever it takes”.
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13 May 2012 10:13:00
“Lobsang and 66 fellow monks were imprisoned in 1959. When released 21 years later, he was one of only three survivors. While in prison his best friend, a rinpoche, died in his arms. Tensin was later discovered to be the reincarnation of that friend. Lobsang said there are so many characteristics of his old friend in the young boy”. (Phil Borges)

“Lobsang and 66 fellow monks were imprisoned in 1959. When released 21 years later, he was one of only three survivors. While in prison his best friend, a rinpoche, died in his arms. Tensin was later discovered to be the reincarnation of that friend. Lobsang said there are so many characteristics of his old friend in the young boy”. (Photo and caption by Phil Borges)
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06 Mar 2014 14:01:00
A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)
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04 Aug 2016 12:34:00
“Two-Handed Saw, 2014”. “Most of the neighbors have switched to power tools to run their households, the buzz of chain saws and weed-whackers overpowering the quieter sounds of country life, but my aunts hold on to the two-handed saw that's decades old, the sickle and scythe that need to be sharpened and polished after each use, the old axe that's becoming heavier each year. Each of these objects is familiar, holding memories of their brother, who succumbed to cancer a few years ago, of days before my grandfather lost his vision in the 50's, of busier days and longer futures”, Sablin told. (Photo by Nadia Sablin)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)
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25 Feb 2016 12:12:00
“Los tlachikeros, fiesta del pulke... Tepetlaoxtoc de Hidalgo, Mexico, MX”. (Fermìn Guzmàn)

“Los tlachikeros, fiesta del pulke... Tepetlaoxtoc de Hidalgo, Mexico, MX”. (Photo and caption by Fermìn Guzmàn)
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14 Jun 2013 10:33:00
Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)
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04 Aug 2015 11:50:00
Little Red Riding Hood. “The moment I pulled this sweater out of the drawer for Frankie I knew what I wanted for my picture today. I envisioned the look, the style, and the composition. When working with a 2 year old it is never easy to actually get the shot you want, especially when they decide to skip nap time. But I really like how this one turned out” – Rich. (Photo by Rich)

«Little Red Riding Hood». “The moment I pulled this sweater out of the drawer for Frankie I knew what I wanted for my picture today. I envisioned the look, the style, and the composition. When working with a 2 year old it is never easy to actually get the shot you want, especially when they decide to skip nap time. But I really like how this one turned out” – Rich. (Photo by Rich)
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17 Sep 2012 12:51:00
“Priscilla”, 1969. He has described this image as one of his own favourites: “It expresses something about girlhood as well as something about a certain kind of maturity and experience”. It became the cover for Dinosaur Jr’s album Green Mind. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)
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16 Apr 2017 11:02:00