Policemen look at a wax figure of Rowan Atkinson, dressed as his popular television character Mr. Bean, on display outside a wax figure museum in Guangzhou, Guangdong province, August 24, 2014. (Photo by Alex Lee/Reuters)

American singer-songwriter Madonna poses for a sеxed up snap with her daughter Lourdes Leon in December 2021. (Photo by madona/Instagram)

A camel rests at a fuel station in the Judean desert near the West Bank city of Jericho January 11, 2015. Reuters photographers from Mali to Mexico have shot a series of pictures of fuel stations. Whether it is plastic bottles by the roadside in Malaysia or a futuristic forecourt in Los Angeles, fuel stations help define our world. Oil prices steadied above $48 a barrel on Tuesday, recovering from earlier losses as the dollar weakened against the euro. Oil prices have dropped nearly 60 percent since peaking in June 2014 on ample global supplies from the U.S. shale oil boom and a decision by OPEC to keep its production quotas unchanged. (Photo by Baz Ratner/Reuters)

Young Haitian migrants hang out in the Batey La Lima community, an impoverished community surrounded by a massive sugarcane plantation in the coastal city of La Romana, Dominican Republic, Wednesday, November 17, 2021. As the rest of the world closes its doors to Haitian migrants, the country that shares an island with Haiti also is cracking down in a way that human rights activists say hasn’t been seen in decades. (Photo by Matias Delacroix/AP Photo)

“A huge wasp measuring 2.5 inches in length, visiting the banana tree in my front yard”. (Photo and comment by John Matzick, USA/2013 Sony World Photography Awards via The Atlantic)

Models turned into “humanoid” robots pose on a train at Waterloo Station on October 2, 2016 in London, England for the launch of new Sky Atlantic TV drama Westworld. (Photo by Matt Alexander/PA Wire)

Members of a cheerleading team warm- up during the Russian Cheerleading Championship of students in Moscow on November 20, 2016. (Photo by Natalia Kolesnikova/AFP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)