Scaffolding holding a remnant of the Soviet Union, the hammer and sickle, is seen on a rooftop of an abandoned building in the town of Pripyat on January 25, 2006 near Chernobyl, Ukraine. The town of Pripyat, deserted since the 1986 catastrophe, once housed 30,000 people, the majority of being workers from the Chernobyl Nuclear Power Plant. Days after the catastrophe the inhabitants were relocated to other locations in the Soviet Union. The town of Pripyat has remained uninhabited since. Prypyat and the surrounding area will not be safe for human habitation for several centuries. Scientists estimate that the most dangerous radioactive elements will take up to 900 years to decay sufficiently to render the area safe.

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

An Indian student warms up during the 44th Samartha Summer Sports Coaching Camp organized by Shree Samarth Vyayam Mandir in Mumbai, India, 25 April 2018. Mallakhamba arose in the western state of Maharashtra centuries ago. It was originally practiced by wrestlers and soldiers as a strength training exercise. (Photo by Divyakant Solanki/EPA/EFE)

Indian ivory furniture legs in the shape of a goddess from the first century AD are displayed in the 'Afghanistan Crossroads of the Ancient World' exhibition at The British Museum on March 1, 2011 in London, England. Displaying treasures that were in great danger during the years of civil war and Taliban rule, these surviving artifacts reveal Afghanistan's ancient culture, its fragility and its remarkable place in world history. The exhibition opens to the public on March 3 and runs until July 3, 2011. (Photo by Peter Macdiarmid/Getty Images). LONDON, ENGLAND – MARCH 01

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

People take part in the “The Burial of the Sardine” funeral procession, which marks the end of carnival festivities, in Madrid, Spain, February 10, 2016. “Mourners” carry a coffin with a mock sardine through the streets to celebrate the countdown to Lent. Spanish painter Francisco de Goya's painting “El entierro de la sardina” (The Burial of the Sardine) was inspired by this tradition, which started in Madrid in the 18th century, around the time of Spanish King Carlos III. (Photo by Juan Medina/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)