Some of the most powerful narratives of the past decade have been produced by a forward-thinking generation of women photojournalists as different as the places and the subjects they have covered. National Geographic's “Women of Vision” exhibit features the work of 11 photographers and is on display at the Fernbank Museum of Natural History in Atlanta until January 3, 2016. Here: Nujood Ali stunned the world in 2008 by obtaining a divorce at age 10 in Yemen, striking a blow against forced marriage. (Photo by Stephanie Sinclair/National Geographic)

Aline, along with other rangers and park staff visit the gorilla's in the parks Mikeno sector, where the majority of the gorilla families live in Virunga National Park. Therefore there has been a surge of poaching and violence in the area. For the first time, women have taken up the most dangerous job in wildlife, becoming para-military rangers at the Virunga National Park in DR Congo. (Photo by Monique Jaques)

An environmental activist adjusts his mask while taking part in “The Dead Sea Swim Challenge”, swimming from the Jordanian to Israeli shore, to draw attention to the ecological threats facing the Dead Sea, in Kibbutz Ein Gedi, Israel November 15, 2016. Swimmers from around the world plunged into the salty waters of the Dead Sea on Tuesday to attempt a seven-hour swim across the fabled lake in a bid to draw attention to its environmental degradation. Wearing protective masks and snorkels, 25 swimmers paddled through the muddy water to attempt the 9-mile (15-kilometer) swim from Jordan to Israel. (Photo by Nir Elias/Reuters)

Comandos de Salvamento rescuers Maria Martinez (L) and Ana Chichilla attend to a wounded homeless man in San Salvador, El Salvador July 16, 2016. The man was attacked with a machete by suspected gang members. In 2015, El Salvador registered a record 103 homicides per 100,000 habitants, making it one of the most dangerous countries in the world outside a war zone. But for many young people who have few chances to distance themselves from rivalries between so-called maras in their schools and neighbourhoods, a civil-society organisation called the Comandos de Salvamento, or Rescue Corps, has been a refuge. (Photo by Jose Cabezas/Reuters)

Festival goer practice yoga during the O.Z.O.R.A. festival on August 4, 2016 in Tolna, Hungary. Ozora is a village in Tolna County. In recent times it has become famous for the O.Z.O.R.A. psychedelic trance festival which has been held on an estate in Ozora near small village Dadpuszta every year since 2004. The first party was called Solipse and took place during the Solar eclipse of August 11, 1999. (Photo by Mohai Balázs/MTI/MTVA)

The city of Meroë laid undiscovered for two millennia before British archaeologist John Garstang excavated it in the early 20th century. Garstang took the radical decision to document his discoveries with photography – and immortalised an ancient world. “Meroë: Africa’s Forgotten Empire” is being shown until 14 September at Garstang Museum of Archaeology, Liverpool. Here: A group visiting the excavations at Meroë, including (from left) Midwinter Bey, director of Sudan Railways; Lord Kitchener; General Sir Francis Reginald Wingate, Sirdar of the Egyptian Army; Professor Archibald Sayce; John Garstang; and Lady Catherine Wingate, 1911. (Photo by Garstang Museum of Archaeology)

In this photo made late Saturday, August 9, 2014, in Keelung, Taiwan, a traditional Chinese dance troupe performs during a parade marking the beginning of the Chinese folklore's mid-summer's Ghost Month Festival. Fourteen days into the seventh month of the lunar calendar, August 9, in 2014, marks the traditional Chinese Ghost Month where the gates of the underworld are opened and spirits of the deceased are set free to roam the world of the living. The month long festivities are aimed to please the roaming spirits. (Photo by Chiang Ying-ying/AP Photo)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)