A boy sells balloons in front of a closed market as the government reduces market business hours after new cases of COVID-19 were reported across the country in Peshawar, Pakistan, 03 August 2021. Countries around the world are taking increased measures to stem the widespread of the COVID-19 disease. (Photo by Arshad Arbab/EPA/EFE)

People wear face masks to protect against the coronavirus as they walk across an intersection in Beijing, Friday, June 5, 2020. China on Friday reported five new confirmed coronavirus cases, all of them brought by Chinese citizens from outside the country. (Photo by Mark Schiefelbein/AP Photo)

A woman guards stand at the gate of a cosmetic factory during a government organised visit for foreign reporters ahead of 70th anniversary of North Korea's foundation in Pyongyang, North Korea on September 8, 2018. (Photo by Danish Siddiqui/Reuters)

Women take part in the desert trek “Rose Trip Maroc”, on November 1, 2019 in the erg Chebbi near Merzouga. The Rose Trip Maroc is a female-oriented trek where teams of three must travel through the southern Moroccan Sahara desert with a compass, a map and a topographical reporter. (Photo by Jean-Philippe Ksiazek/AFP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)