Three cabaret dancers sit glum-faced in the Windmill Theatre's canteen upon hearing the news that the theatre's owners have sold out to a cinema company, on October 02, 1964. The theatre, which was the first to include nudity in its shows, has been able to cope with competition from a growing number of West End strip clubs. (Photo by Hulton-Deutsch Collection/CORBIS/Corbis via Getty Images)

A woman made-up with the technique of Body Paint seen during the 2nd Spanish tattoo artists Convention of the Only Tattoo Barcelona in Barcelona, Spain on March 17, 2018. (Photo by Ramon Costa/SOPA Images/Rex Features/Shutterstock)

A participant runs in high-heels as she competes in the Stiletto Run in Bucharest June 14, 2014. The annual 50 metres race requires participants to wear high-heels that are at least 7cm tall. (Photo by Bogdan Cristel/Reuters)

Participants take part in a high-heel race at a Gay Pride party in the central neighborhood of Chueca in Madrid on July 3, 2014. (Photo by Gerard Julien/AFP Photo)

“MSC Fabiola is a container ship owned by Mediterranean Shipping Company (MSC), the largest such vessel ever to dock in North America. In March 2012 the ship shifted from its initial Asia-to-Europe service to begin trans-Pacific service. On March 19, 2012, Fabiola docked at the Port of Long Beach, breaking earlier records for the largest container ship at a US port, and at any North American port”. – Wikipedia

Photo: The container ship MSC Fabiola (R) is seen docked at the Port of Oakland on March 22, 2012, in Oakland, California. The MSC Fabiola is the largest container ship ever to dock at any seaport in North America with an overall length of nearly one quarter mile long. (Photo by Justin Sullivan/Getty Images)

The Genghis Khan Statue is a 40-metre tall statue of Ghengis Khan (1162–1227) on horseback, on the bank of the Tuul River at Tsonjin Boldog (54 km east of the capital Ulan Bator), where according to legend, he found a golden whip.

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)