Hungarian Puli sheep dog, Fee, jumps over a hurdle during a preview for a pedigree dog show in Dortmund on Thursday April 24, 2008. (Photo by Frank Augstein/AP Photo)

A woman holding an umbrella walks past the sculpture by Chinese artist Yue Minjun beside a road during a snow in Beijing, China, November 22, 2015. (Photo by Jason Lee/Reuters)

“I think as mothers we are all just trying our best”. – Gisele Bundchen. (Photo by Mads Nissen/AFP Photo)

"Steve McCurry: India", co-organized by the Rubin Museum and the International Center of Photography, brings together photographs of India-its people, monuments, landscapes, seasons, and cities. The exhibition at the Rubin Museum in New York runs from November 18, 2015 – April 4, 2016. Here: A boy in mid-flight in Jodhpur, Rajasthan, India, in 2007. (Photo by Steve McCurry)

When Ed Templeton was a young skateboarder in California, he took Polaroids of his friends smoking at their local park. Those pictures in 1994 were the start of a lifelong habit – Templeton has been capturing youngsters all over the world experimenting with cigarettes ever since. Here: Santiago, Chile, 2002. (Photo by Ed Templeton/Robert & Tilton Gallery, Culver City)

Children carrying guns and flags or wearing Soviet-style uniforms have become a common sight at Victory Day parades and other events in Russian-controlled Crimea. Russian and Ukrainian human rights activists have warned that such displays point to a growing trend of promoting Russian patriotism among kids on the Crimean peninsula, annexed from Ukraine in 2014. Here: A young Crimean girl wears military-type clothes during a Victory Day celebration in Sevastopol on May 9, 2018. (Photo by Oleksandra Surgan/Radio Free Europe/Radio Liberty)

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)