Leaves and forest foliage claim abandoned motors at makeshift car graveyards. German photographer Dieter Klein travels the world to find vintage automobiles left to rust in leafy forests and fields. Here: Seemingly camouflaged cars are stacked on top of each other causing them to blend in with the landscape, in 2013, France. (Photo by Dieter Klein/Barcroft Media)

Bottles of vintage cognac, with a royal warrant stamp, are seen in storage inside Berry Bros and Rudd wine merchants in central London, Britain, August 21, 2015. Berry Bros. & Rudd, which started as grocers over 300 years ago in St. James's, central London, has two royal warrants. Every year Queen Elizabeth grants about 20 royal warrants, the gold emblem of the British monarchy, in a practice dating back to medieval times. The warrant holders can display the certificate and use the royal coat of arms in their marketing. The warrants lasting five years can help businesses break into new markets overseas, using their role as supplier to the royal family as a gauge of quality. On September 9, Queen Elizabeth will overtake Queen Victoria as Britain's longest-serving monarch. (Photo by Toby Melville/Reuters)

Michael Fröhlich's Jowett Javelin rotting car in his forest sculpture park in Neandertal Germany, September 11, 2016. An eccentric artist has collected fifty vintage cars and left them to rot in a forest – and now they're worth over $1 million. Former racing driver Michael Fröhlich, from Dusseldorf, Germany, has purposely crashed the cars into trees, buried them in mud and parked them on cliff faces in his estate's garden in the middle of the German Neanderthal. His collections includes a Jaguar XK120 worth $170,000, a Porsche 356 racer and a Buick worth $17,000. (Photo by Christoph Hagen/Barcroft Images)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

The photos, created by Tito Mouraz in Portugal, look too surreal, and it takes a while to realize that these are actually not painting but reality. The way people can completely transform the terrain is very reminiscent of the way people tend to change themselves. Chip away the granite of their soul, turning it into something that fits their idea of perfection. However, in the end, most of them end up with an obscene parody of beauty, rather than something truly marvelous. The reason for it is probably that people are actually oblivious to the true image of beauty, making them stumble around in the dark, hoping to find something that might not exist at all. (Photo by Tito Mouraz)

View at one of the sculptures by Swiss artist H.R. Giger during the opening of the Ars Electronica 2013 exhibition “HR Giger. The Art of Biomechanics” in Linz, Austria, 04 September 2013. (Photo by EPA/RUBRA)

These spectacular landscapes may look like something from another planet – but they are in fact colorful salt ponds which stretch for miles. Despite being better known for tech companies and expensive property – San Francisco, California is also home to this vibrant quilt of color spanning the South Bay Area. From eerie green pools to gothic shades of red the surreal landscapes are caused by the organisms or micro-algae living within them. Photo: Aerial view of the salt ponds in San Francisco, California. (Photo by Cris Benton/Caters News)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)