US actress Alexandra Daddario attends the “Baywatch” Photo Call in Berlin on May 30, 2017 in Berlin, Germany. (Photo by Splash News and Pictures)

The BADGER shot was a 23 kiloton nuclear bomb. Over 2,000 US soldiers were within 3.7 kilometers of the explosion. (Photo by Alamy Stock Photo)

A participant in costume uses a mobile phone at a Halloween event in Kawasaki, south of Tokyo, Japan October 29, 2017. (Photo by Kim Kyung-Hoon/Reuters)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)

French actress Pom Klementieff (L), Israeli-American actress Natalie Portman (C) and US actress Tessa Thompson pose on the red carpet on arrival to attend the UK Gala Screening of the film “Thor: Love and Thunder”, at the Odeon Luxe in London on July 5, 2022. (Photo by Daniel Leal/AFP Photo)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.