A girl carries bottles of water filled from a charity tank at a camp for internally displaced people (IDPs) near Sanaa, Yemen on March 25, 2022. (Photo by Khaled Abdullah/Reuters)

French model Iris Mittenaere attends the screening of “Final Cut (Coupez!)” and opening ceremony red carpet for the 75th annual Cannes film festival at Palais des Festivals on May 17, 2022 in Cannes, France. (Photo by Stephane Mahe/Reuters)

A Palestinian rides with the body of an Israeli killed by Hamas militants in a kibbutz near the Gaza Strip fence in Gaza City, Saturday, October 7, 2023. (Photo by Abed Abu Reash/AP Photo)

A woman and her dogs stop and look at a store mannequin wearing a dog's head mask outside a fashion shop in Nice, France, May 3, 2016. (Photo by Eric Gaillard/Reuters)

A U.S. Air Force B-1B Lancer bomber sits on the runway at Anderson Air Force Base, Guam July 18, 2017. (Photo by Airman 1st Class Christopher Quail/Reuters/U.S. Air Force)

A woman walks through flood water during heavy downpour at a street in Genoa, Italy, 10 October 2014. At least one person died due to flooding after heavy rains caused the Bisagno river, which runs through Genoa city to overflow. Part of the city was in black-out with flooded streets and parked cars dragged away by the water's force. (Photo by Luca Zennaro/EPA)

U.S. Marine Lt. Ben Reid from 1/2 Charlie Company of Task Force Tarawa waits to be medivaced after being hit with shrapnel and a machine gun round, in the southern Iraqi city of Nasiriyah, on March 23, 2003. The Marines suffered a number of deaths and casualties during gun battles throughout the city. (Photo by Joe Raedle via The Atlantic)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)