Ecuadorian luthier Ivan Ibujes plays a guitar after repairing it at his shop in Quito, June 17, 2016. (Photo by Guillermo Granja/Reuters)

A man holds his scythe during the Harvest Festival in Hosszuheteny, Hungary, July 9, 2016. (Photo by Laszlo Balogh/Reuters)

A vendor sells chili peppers at his stall at a market in Bangkok, Thailand March 31, 2016. (Photo by Jorge Silva/Reuters)

A migrant labourer brushes his teeth in front of a scrapped helicopter model in Mumbai, India, April 13, 2016. (Photo by Danish Siddiqui/Reuters)

“Nicholas II (Russian: Николай II, Николай Александрович Романов, tr. Nikolay II, Nikolay Alexandrovich Romanov) (18 May [O.S. 6 May] 1868 – 17 July 1918) was the last Emperor of Russia, Grand Prince of Finland, and titular King of Poland. His official title was Nicholas II, Emperor and Autocrat of All the Russias and he is known as Saint Nicholas the Passion-Bearer by the Russian Orthodox Church. Nicholas II, his wife, his son, his four daughters, the family's medical doctor, the Tsar's valet, the Empress' lady-in-waiting and the family's cook were murdered in the same room by the Bolsheviks on the night of 16/17 July 1918”. – Wikipedia

Photo: Tsar Nicholas II (1868–1918) with his wife. (Photo by W. & D. Downey/Getty Images). Circa 1900

At the dead of night, the photographer – known to his Instagram followers as Dark Cyanide – heads out to look for hidden gems, like abandoned stations, provisions and tunnels. His intriguing images feature vibrant streaks, graffiti, and tight framing – and by adding individuals to some to some of shots, he is also able to depict the incredible scale of some of the tunnels. Here: Unnamed subway track in New York City. (Photo by Dark Cyanide/Caters News)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

A worker stack bricks on his head at a brick factory in Lalitpur January 12, 2015. (Photo by Navesh Chitrakar/Reuters)