Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Tsukimi Ayano steps out of her house in the village of Nagoro on Shikoku Island in southern Japan February 24, 2015. Tsukimi Ayano made her first scarecrow 13 years ago to frighten off birds pecking at seeds in her garden. The life-sized straw doll resembled her father, so she made more. Today, the tiny village of Nagoro in southern Japan is teeming with Ayano's hand-sewn creations, frozen in time for a tableau that captures the motions of everyday life. (Photo by Thomas Peter/Reuters)

A man holds a pigeon during the British Homing World show of the year at Blackpool's Winter Gardens in Blackpool, north west England on January 17, 2016. Homing pigeon fanciers from across Europe gathered to find the Supreme Show Champion with judges casting their eyes over hundreds of birds on show. The Royal Pigeon Racing Association organises the event and has Queen Elizabeth II, who keeps pigeons at Sandringham, as its patron. (Photo by Andrew Yates/Reuters)

Galapagos – Rocking the Cradle: Four major ocean currents converge along the Galapagos archipelago, creating the conditions for an extraordinary diversity of animal life, April 25, 2016. The islands are home to at least 7,000 flora and fauna species, of which 97 percent of the reptiles, 80 percent of the land birds, 50 percent of the insects and 30 percent of the plants are endemic. (Photo by Thomas P. Peschak for National Geographic/World Press Photo)

Birds behaviour winner: Land of the Eagle by Audun Rikardsen, Norway. High on a ledge, on the coast near his home in northern Norway, Rikardsen carefully positioned an old tree branch that he hoped would make a perfect golden eagle lookout. To this, he bolted a tripod head with a camera, flashes and motion sensor attached, and built himself a hide a short distance away. From time to time, he left road‑kill carrion nearby. Very gradually – over the next three years – a golden eagle got used to the camera and started to use the branch regularly to survey the coast below. (Photo by Audun Rikardsen/2019 Wildlife Photographer of the Year)

Kazakh nomads have been grazing their livestock in Mongolia for hundreds of years. Fascinated by the bond between hunter and eagle, photographer Palani Mohan has spent the last few years documenting the burkitshi. Mohan's photos of the landscape, isolation of the hunt, and most of all the trusting relationship between man and bird, convey the importance that the eagle plays in their lives. (Photo by Palani Mohan)

Chinese-born street artist DALeast, whose work is recognizable for its unique style anywhere he paints, has left a trail of stunning 3D graffiti spanning several continents. Based in South Africa with his wife, the 29-year-old artist spends around half a year traveling around the world and painting his graffiti artworks in different cities. Each piece of his street art looks as it’s made out of thousands of metal shards, which all come together beautifully to shape different animals, birds or humans in action.