A grasshopper in a protective mask created by microminiaturist Anatoly Konenko in Omsk, Russia on May 21, 2020. Mini-masks about the size of a rice grain are made of a special high-density medical fabric with a built-in air filter. Anatoly Konenko is one of Russia's most famous microminiaturists; his works include a grasshopper playing a violin, a shod flea, a miniature bass guitar, a camel train in a needle's eye, and over 200 miniature books. (Photo by Yevgeny Sofiychuk/TASS)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

Ruben Belloso Adorna, a young artist from Seville, Spain, has taken the art world by storm with his incredibly detailed portraits of real-life and fictional characters drawn exclusively in pastel on wooden canvas.

A boy plays at a flooded street in front of a passing bus as tropical storm Fung-Wong battered the Philippine capital Manila September 19, 2014. Heavy rain in the Philippine capital, Manila, caused flooding in many areas on Friday, shutting schools, government offices and financial markets as a tropical storm made landfall to the north. Thousands of residents in low-lying areas were moved to higher ground, officials said, as flood waters rose quickly after the equivalent of half a month's usual rain fell in six hours. (Photo by Erik De Castro/Reuters)

At first glance, you may think you’re just gazing upon serene sunsets, breathtaking landscapes and peaceful coves of distant lands. It’s not until you realise the settings are made entirely from food that you can feast your eyes over the magnificence of Carl Warner’s “foodscapes”. Photo: “Salami Tuscany”. (Photo by Carl Warner)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.