A worker lays rails across the bed of a drained area of a lake used for the production of salt at the Sasyk-Sivash lake near the city of Yevpatoria in Crimea, October 5, 2014. The area has a long tradition of salt production, prepared from salt flats flooded with water from the Black Sea. (Photo by Pavel Rebrov/Reuters)

Various kinds of pumpkins, out of some 400 on display grown this season, are seen on sale at Franzlbauer farm in Hintersdorf, Austria, October 27, 2015. (Photo by Heinz-Peter Bader/Reuters)

Girls enjoy nice weather at a park in front of the Pothonggang Department Store in central Pyongyang October 11, 2015. (Photo by Damir Sagolj/Reuters)

Huellas, a paraplegic dog in a wheelchair, walks at Pescadores beach in Chorrillos, Lima, September 7, 2015. Sara Moran has an animal shelter called Milagros Perrunos where she cares for stray dogs and shelters dogs injured from traffic accidents or domestic abuses. With donations and raffle, Moran purchases wheelchairs, food and medical treatment for the dogs at her shelter. (Photo by Mariana Bazo/Reuters)

A working team appointed by the Archaeological Superintendence of Pompeii performs a Cat scan (Computerized axial tomography) one out of thirty casts of victims of the eruption of Vesuvius in 79 AD in Pompeii, in Napoli, Italy, 29 September 2015. The project which aims to trace the habits of life, employment and social class of the victims, involves a working team of archeologists, anthropologists, radiologists, dentists and engineers to obtain results from the scan. (Photo by Cesare Abbate/EPA)

A woman dances as people gather near EU headquarters during a so called “European Demonstration for Freedom and Democracy” protest against COVID-19 security measures taken by European governments, in Brussels, Saturday, May 29, 2021. (Photo by Olivier Matthys/AP Photo)

Men ride a scooter through a flooded street after heavy rains in New Delhi, India, August 6, 2019. (Photo by Adnan Abidi/Reuters)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)