Bus hostesses adjusts their hair before photos outside the Great Hall of the People the eve of the opening session of the annual meeting of China's National People's Congress (NPC) in Beijing, Saturday, March 4, 2023. (Photo by Ng Han Guan/AP Photo)

A mannequin's head is covered in a woman dress shop in Kabul, Afghanistan, Monday, December 26, 2022. Under the Taliban, the mannequins in women's dress shops across the Afghan capital Kabul are a haunting sight, their heads cloaked in cloth sacks or wrapped in black plastic bags. The hooded mannequins are one symbol of the Taliban's puritanical rule over Afghanistan. (Photo by Ebrahim Noroozi/AP Photo)

A man looks inside an overturned truck after an accident along the road between Nouahibou and Nouakchott, Mauritania December 3, 2009. (Photo by Rafael Marchante/Reuters)

Indian Muslim children hold anti-US placards as they participate in a protest meeting against the film “Innocence of Muslims” in Kolkata on October 5, 2012. A low-budget, US-produced “Innocence of Muslims” movie has incited a wave of bloody anti-US violence in Libya, Egypt, Sudan, Tunisia, Yemen and in several other countries across the Muslim world. (Photo by Dibyangshu Sarkar/AFP/AFP Photo)

Masked women shout slogans during a demonstration marking the Latin American Day for Decriminalization of Therapeutic Abortion in Managua, Nicaragua, where abortions are illegal, on September 28, 2012. (Photo by Esteban Felix/Associated Press)

Yalena Leuliette, 7, of Greenbelt, Md., throws seeds from a cattail plant up in the air as she plays while visiting the Kenilworth Aquatic Gardens in northeast Washington, on Sunday, August 9, 2015. Leuliette visits the public garden with her parents a few times a year. (Photo by Jacquelyn Martin/AP Photo)

Camera trapper Xavier Hubert-Brierre put this large mirror on the side of a road through the jungle in Gabon and left a camera there to record how the animals would respond to their own reflections. A silverback gorilla thought it was seeing another silverback and responded by trying to scare off the potential challenger… (Photo by Xavier Hubert-Brierre/Johns Hopkins University Press)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)