A girl attends a performance hosted by the Ministry of the Interior that includes police, border guards, and rescuers celebrating International Children's Day in Kyiv, Ukraine on June 1, 2021. (Photo by Gleb Garanich/Reuters)

School children wear face masks as they take part in an awareness rally against the use of tobacco on “World No Tobacco Day” in Kolkata on May 31, 2022. (Photo by Dibyangshu Sarkar/AFP Photo)

Children wearing uniforms hold toy guns during a military parade game on China's National Day, at Beyou World, a centre children where can experience different kinds of professions, in Beijing, October 1, 2015. (Photo by Reuters/Stringer)

“Krampus is a beast-like creature from the folklore of Alpine countries thought to punish children during the Yule season who had misbehaved, in contrast with Saint Nicholas, who rewards well-behaved ones with gifts. Krampus is said to capture particularly naughty children in his sack and carry them away to his lair”. – Wikipedia. Photo: A participant dressed as the Krampus creature pulls a barrel of fire past onlookers during his search for delinquent children in Neustift im Stubaital. (Photo by Sean Gallup)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.