“T'antawawas” (children's bread) are displayed in a popular market to commemorate All Saints Day in La Paz, October 30, 2016. (Photo by David Mercado/Reuters)

Inspired by traditional Indian travelling photography studios, Arthur Crestani photographed the inhabitants of Gurgaon, a city built almost entirely by private companies. Arthur Crestani’s “Bad City Dreams” contrasts the glossy ideal sold by developers with urban reality. Here: Luxury Living Bhiwadi: “Sky Club on 18th Floor”. (Photo by Arthur Crestani/The Guardian)

Bonbibi, Treehouse Point, Fall City, WA. The Bonbibi is balanced on two steel yokes. The yokes spread out the load and allow for tree growth and movement in the wind. A small deck hangs from the beams below and uses the treehouse itself to shelter guests. (Photo by Pete Nelson)

Vendors sell their wares at a parking garage for commercial transports in Obalende district in Nigeria's commercial capital Lagos November 23, 2015. (Photo by Akintunde Akinleye/Reuters)

Nora Muaid stands in Zawraa Park on December 2, 2011 in Baghdad, Iraq. The park's 180-foot tall Ferris wheel opened earlier this year and is the second largest in the Middle East. (Photo by Mario Tama/Getty Images)

In this photo taken on Sunday, July 5, 2015, police officers walk along a giant poster to give an improved appearance, in downtown Ufa, Russia. Ufa will host SOC (Shanghai Cooperation Organization) and BRICS (Brazil, Russia, India, China and South Africa) summits July 7 to July 9, 2015. (Photo by Vadim Braydov/AP Photo)

An incredible clear-air lightning display from storms to the east of Noonamah, just outside Darwin on April 6, 2015. (Photo by Jacci Ingham/The Guardian)

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)