Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)

A woman carries her cat as she walks near Kyiv-Pasazhyrskyi railway station in Kyiv in the morning of February 24, 2022. Air raid sirens rang out in downtown Kyiv today as cities across Ukraine were hit with what Ukrainian officials said were Russian missile strikes and artillery. (Photo by Daniel Leal/AFP Photo)

Staff prepare for Halloween at the Forbidden Corner tourist attraction, a labyrinth in the heart of Tupgill Park, in the Yorkshire Dales on October 19, 2022. (Photo by James Glossop/The Times)

A worker holds the head of a fox while killing it with electricity for its fur at a fox farm in Nanzhuang village, Shandong province, China, December 11, 2015. There are over 60 households in the village still raising foxes, raccoon dogs and other animals for the fur trade. China is the world's largest fur producer and exporter, according to state media. (Photo by William Hong/Reuters)

A monkey licks ice during the annual “monkey buffet” in Lopburi province, some 150 kms north of Bangkok on November 24, 2013. More than 2,000 kilos of fruits and vegetables were offered to the monkeys during the annual festival to help promote tourism in the area. (Photo by Pornchai Kittiwongsakul/AFP Photo)

A Dongria tribe girl holds her traditional weapon and dance on the last day of their two days long Niyamraja Festival atop of the Niyamgiri hills near Lanjigarh in Kalahandi district, Orissa state. (Photo by Biswaranjan Rout/AP Photo)

A woman chops a fish at her stall as a train passes by at a morning market near Duri train station in Jakarta in this February 12, 2009 file photo. (Photo by Reuters/Beawiharta)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)