A man pedals his cycle rickshaw during monsoon rains in New Delhi, India August 31, 2016. Normal life was thrown out of gear as heavy rainfall lashed the city Wednesday morning, resulting in waterlogging and traffic jams. (Photo by Cathal McNaughton/Reuters)

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

Ryo Minemizu, one of Japan’s emerging stars in the field of marine life photography and the 2017 winner of the Nikkei National Geographic photography prize, captures the beauty and complexity of plankton that drift in our planet’s oceans and other bodies of water in meticulous detail. Here: Batesian mimicry by a Soleichthys fish larva. (Photo by Ryo Minemizu/The Guardian)

Factory landlord Lawrence Taylor (L), portraying a Colour Sergeant from the King's Royal Rifle Corps, part of the Rifles Living History Society, performs a drill with Connor Young (R) of the Queen's Own Royal West Kent Regiment Living History Group as they recreate the life of a First World War soldier at the Eden Valley Museum in Edenbridge in southeast England May 10, 2014. Lawrence has always had an interest in military history and specifically “The Rifles” – his veteran father's WWII regiment. When he became a re-enactor he chose not to re-enact WWII as many of the veterans are still alive, and he felt uncomfortable as he remembers his father would have flashbacks and nightmares about the war. United by a fascination with military history and a fondness for dressing up, groups such as the Rifles Living History Society and the Queen's Own Royal West Kent Regiment Living History Group get together to recreate aspects of life during the First World War. Reuters photographer Luke MacGregor photographed members of the groups, both as they took part in living history events and at their day jobs. (Photo by Luke MacGregor/Reuters)

Eight-year-old handicapped Chinese girl Qian Hongyan crawls with two home-made props and part of a basketball at Zhuangxia Village on January 5, 2005 in Luliang County of Qujing City, Yunnan Province, China. The girl who lost both of her legs in a traffic accident in 2000 at the age of three, struggles to live her life with a basketball as an underprop, “walking” between school and home by herself. The girl's story is widely reported in the country, and experts from China Rehabilitation Research Center has come to Qian's home to help her for rehabilitative treatment early 2005. (Photo by China Photos/Getty Images)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Photographer Brian Finke spent nearly two years traversing the friendly skies, following the life of flight attendants in the air and on the ground, from Delta and Hawaiian Air, to Hooters Air, Southwest, Air France, British Airways, Air Asia, and dozens more. His images of flight attendants waving, applying makeup and deboarding plans while smiling appear as if they were ripped from an advertisement in a glossy magazine. Here: Tiger Airways, Singapore, 2006. (Photo by Brian Finke/The Washington Post)

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)