A South Korea fan smiles ahead of the Qatar 2022 World Cup Group H football match between Uruguay and South Korea at the Education City Stadium in Al-Rayyan, west of Doha on November 24, 2022. (Photo by Jewel Samad/AFP Photo)

Belgian yoga teacher Dorien Dierckx, 29 from Brussels enjoys a beer while relaxing in a jacuzzi full of hot water and a mixture of ingredients used to make beer, and where customers can serve their own beer from the tap at the Good Beer Spa in Brussels, Belgium on May 12, 2021. (Photo by Yves Herman/Reuters)

Young Haitian migrants hang out in the Batey La Lima community, an impoverished community surrounded by a massive sugarcane plantation in the coastal city of La Romana, Dominican Republic, Wednesday, November 17, 2021. As the rest of the world closes its doors to Haitian migrants, the country that shares an island with Haiti also is cracking down in a way that human rights activists say hasn’t been seen in decades. (Photo by Matias Delacroix/AP Photo)

A health worker pretends to give a shot to a girl's doll to help put her at ease before giving her a shot of the Coronavac vaccine for COVID-19, at a sports center as children age 5 – 11 start getting vaccinated in Asuncion, Paraguay, Monday, January 31, 2022. (Photo by Jorge Saenz/AP Photo)

People ride on a motorcycle in Cap-Haitien, Haiti, Wednesday, April 17, 2024. (Photo by Ramon Espinosa/AP Photo)

A view from the opening night of the Professional Bull Riders (PBR) Camping World Team Series in New York City, New York, United States on August 9, 2024. New York Mavericks earned an upset win against Kansas City Outlaws during their hometown debut at the Barclays Center. (Photo by Selcuk Acar/Anadolu via Getty Images)

American model and actress Taylor Hill attends the gala ceremony of the 77th Venice International Film Festival in Venice, Italy, September 2, 2020. (Photo by Manuel Silvestri/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)