These heartwarming images capture the pure happiness of young children playing with a buffalo in the sweltering Indonesian heat on July 28, 2018. The children are all sons of the farmers who work on the rice farms in the West Java region of Indonesia. Amateur photographer Tamlikho Tam, 46 from Depok in West Java Indonesia snapped up the joyful moment because it shows what a typical childhood should be like without technology. (Photo by Tamlikho Tam/South West News Service)

Milena Jami whips her llama to win the first place in the a race for children of ages seven and eight at the Llanganates National Park, Ecuador, Saturday, February 8, 2020. Wooly llamas, an animal emblematic of the Andean mountains in South America, become the star for a day each year when Ecuadoreans dress up their prized animals for children to ride them in 500-meter races. (Photo by Dolores Ochoa/AP Photo)

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.

Children pose for photographs with the Dream Toys predicted Top 12 toys for Christmas during the Dream Toys 2007 Christmas predictions fair on October 10, 2007 in London, England. (Photo by Daniel Berehulak/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Internally displaced Syrian children who fled Raqqa city stand near their tent in Ras al-Ain province, Syria January 22, 2017. (Photo by Rodi Said/Reuters)