Belgian animal sculptor Emmanuel Janssens Casteels works at his desk next to a replica of a Smilodon, an extinct genus of machairodont felid, in his workshop in Prayssas December 3, 2014. Casteels' company OPHYS specializes in life-size reconstructions and the sculpting or moulding reproductions of animals and hyper-realist fossils. His reconstructions are exhibited in museums and theme parks. (Photo by Regis Duvignau/Reuters)

A Belgian shrimp fisherman rides a carthorse to haul a net out in the sea to catch shrimps during low tide at the coastal town of Oostduinkerke, Belgium July 3, 2015. At the end of each fishing session, the fishermen and their mounts leave the water to empty the net's contents into two wicker baskets fixed on each side of the horse. This traditional method of catching shrimps along the North Sea coast, which dates back to some 500 years, attracts tourists every summer. In 2013, Unesco recognized shrimp fishing on horseback as an intangible cultural heritage. (Photo by Yves Herman/Reuters)

Belgian photographer Kurt Stallaert has conceived a series of hyper-realistic images entitled “Bodybuilder’s world”. The personal project suggests an imaginary world with a literal “powerful twist”. (Photo by Kurt Stallaert)

Whenever we don’t have enough magic in our real life, we try to create it using our imagination. The cute characters created by Belgian illustrator Marie Breuer allow us to see the mystical world that resides within her mind. It is dark and adorable, enchanting and solemn. The thing that separates her drawings from the rest is the vivid colors and the bizarre huge, anime-like heads of her characters. The pictures that we liked the most were the ones where her characters wear different living animals like cloaks, with the mood of the characters being closely linked to the animal that they are wearing. (Photo by Marie Breuer)

A rat being trained by the Cambodian Mine Action Centre (CMAC) is pictured on an inactive landmine field in Siem Reap province July 9, 2015. Gambian pouched rats were deployed to Cambodia from Tanzania in April by a Belgian non-profit organization, APOPO, to help clear mines. They've been trained since they were 4 weeks old. Cambodia is still littered with landmines after emerging from decades of civil war, including the 1970s Khmer Rough “Killing Fields” genocide, leaving it with one of the world's highest disability rates. APOPO has used the rodents for mine-clearing projects in several countries, including Angola, Mozambique, Thailand, Laos, and Vietnam. (Photo by Samrang Pring/Reuters)

Belgian riot police officers are covered by hay and eggs thrown by demonstrators as farmers and dairy farmers from all over Europe take part in a demonstration outside an European Union farm ministers emergency meeting at the EU Council headquarters in Brussels, Belgium, September 7, 2015. Thousands of farmers gathered in the European capital calling for more help with low prices and high costs. (Photo by Jacky Naegelen/Reuters)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)