A Palestinian man rides his horse on the beach at sunset in the northern Gaza City, 18 Novemebr 2021. (Photo by Mohammed Saber/EPA/EFE)

People walk in the Old City of Damascus, Syria, decorated for the upcoming Christmas holidays, Tuesday, December 14, 2021. (Photo by Omar Sanadiki/AP Photo)

A Palestinian man performs fire breathing on the beach in Gaza City on 02 September 2022. (Photo by Majdi Fathi/NurPhoto/Rex Features/Shutterstock)

A man sits at the back of his car in the city centre of Yangon on September 15, 2023. (Photo by Sai Aung Main/AFP Photo)

Stunning silhouettes under European cities reveal the size and splendor of the continent’s urban foundations. Photographer and content-manager Anna Arinova, 28, from Moscow, captured the awe-inspiring labyrinths in Russia and Germany. Here: Regenwurmlager, Poland. The Regenwurmlager is an extensive underground fortification area constructed by Germany in 1920s-1940s, now in western Poland, near the city of Międzyrzecz. (Photo by Anna Arinova/Caters News)

Tip turkey, dumpster chook, rubbish raptor – the Australian white ibis goes by many unflattering names. But it is a true urban success story, scavenging to survive in cities across Australia as wetlands have been lost. Wildlife photographer Rick Stevens captured them in Sydney. Here: Of all the species affected by river regulation in Australia, the ibis is one of the few that has changed its behaviour and moved to coastal cities. (Photo by Rick Stevens/The Guardian)

“Hatem Moussa joined The Associated Press as a photojournalist in 1998. Since then, the Gaza City-based Moussa has covered repeated rounds of Israeli-Palestinian fighting in Gaza, including the wars of 2008-9, 2012 and 2014”. – Associated Press. Photo: A Palestinian youth jumps into the Mediterranean sea on the beach at the port of Gaza City, Gaza, Monday, August 27, 2012. (Photo by Hatem Moussa/AP Photo)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)