In this picture taken on June 24, 2017 participants take part in the “Women's Beautiful Buttock series” contest shopping mall in Shenyang, Liaoning province. Ladies from different parts of China gathered in Shenyang to show off their perfect curves during the competition. While it is unclear who ended up taking home 1st place, it looks like everyone had a good time regardless of whether or not they won the title. In November 2016, Brazil held a similar competition, Miss BumBum, which was attended by more than 10 million people. Erika Canela, a 24-year-old beauty from Bahia won the main title of the contest. (Photo by AFP Photo/Stringer)

A group of 1000 customers receive a facial massage at a sports centre in Jinan, Shandong province, China, May 4, 2015. A group of 1000 women were given a 30 minutes facial beauty treatment together on Monday that achieved a Guinness record for the largest group of people having beauty treatment in the same location, according to local media. (Photo by Reuters/Stringer)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Miss Universe Zozibini Tunzi (C) waves at fans as she is driven through the streets of Johannesburg during her homecoming parade after being crowned in December 2019, Johannesburg, South Africa, 13 February 2020. Zozibini is the first black women to win the title. Miss Universe is an annual international beauty pageant that is run by the United States-based Miss Universe Organization. (Photo by Kim Ludbrook/EPA/EFE)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

If life wasn’t exciting enough for these beautiful tortoises, they now get to wear a selection of fantastic knitted suits. They made a very slow sashay down the catwalk to showcase the talents of Katie Bradley. She has made cute woolly suits from 25 designs to transform the little animals into a shark, a lobster, a burrito, a burger, bumble bee and a birthday cake.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.