A woman carrying an inflatable doll crosses Withy Grove in Manchester, UK on September 11, 2016. Revellers out in Manchester City Centre. (Photo by Joel Goodman/London News Pictures)

Mamoni Mandal, member of the Rapid Action Force (RAF), attends a training session at a police training school in Kolkata April 15, 2007. (Photo by Parth Sanyal/Reuters)

These kaleidoscopic images showcase the sheer beauty of the mammoth firework displays held across Japan every summer. The Japanese word for fireworks, hanabi, means fire flower, and each year, local governments in Japan throw around 7,000 festivals, or hanabi taikai. Here: Tsuchiura National Fireworks Competition, Tsuchiura City, Ibaraki Prefecture. (Photo by Makoto Igari/Caters News Agency)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

A British soldier from 3 Commando Brigade looks through the sight of his sniper rifle at Camp Gibraltar February 24, 2003 near Kuwait City, Kuwait. (Photo by Ian Waldie/Getty Images)

A Colombian soldier hugs his girlfriend during the graduation ceremony of soldiers in Nilo, Colombia, February 17, 2017. The soldiers will be deployed to occupy territories formerly controlled by FARC rebels. (Photo by Jaime Saldarriaga/Reuters)

Sophia Loren gave the most legendary side-eye ever, shooting daggers at Jayne Mansfield in 1957. (Photo by Everett Collection)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)