A camel is pictured in front of the Saturn tracking complex at the Russian-leased Baikonur cosmodrome in Kazakhstan on October 9, 2018. An astronaut and cosmonaut are due to travel to the ISS on October 11 aboard a Russian Soyuz MS-10 spacecraft from the Baikonur Cosmodrome in Kazakhstan. (Photo by Kirill Kudryavtsev/AFP Photo)

The endangered antipodean albatross, which is often caught in fishing nets, won most first-choice votes out of the more than 55,000 votes cast during the 2020 New Zealand’s bird of the year competition. (Photo by Wildestanimal/Getty Images)

Bella Thorne is seen at Coachella on April 14, 2019 in Indio, California. (Photo by Hollywood To You/Star Max/GC Images)

People watch an eruption of the South East volcano of Etna is seen from the village of Nicolosi, Italy February 10, 2022. (Photo by Antonio Parrinello/Reuters)

(L to R) British model Leomie Anderson, English singer and television presenter Rochelle Humes, British television presenter from Blackburn AJ Odudu and English television, radio presenter and DJ Maya Jama attend the GQ Men Of The Year Awards in association with BOSS after party at The House of MOTY on November 16, 2022 in London, England. (Photo by David M. Benett/Dave Benett/Getty Images)

A doll, placed by stranded Iranian migrant protesters, hangs from barbed wire in front of Madedonian police at the Greek-Macedonian border near to the Greek village of Idomeni November 29, 2015. The protesters were demonstrating against what they say is the closure of the border for Iranian migrants. According to the demonstrators, the hanging toys and dolls represent the outcome of being unable to return, if they are sent back to Iran. (Photo by Yannis Behrakis/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A two-horse team street cleaner, with sprayer, squeegee, and roller at rear. New York, between ca. 1910 and ca. 1915. (Photo by NYC Municipal Archives)