A model presents a creation by Colombian brand Elena Plus Clothing at Colombiamoda during Medellin's fashion week in Itagui municipality near Medellin, Antioquia department, Colombia, on July 24, 2017. Colombiamoda will take place between the 24th and 27th of July. (Photo by Joaquin Sarmiento/AFP Photo)

Svetlana Tseyko feeds a 10-month-old moose named Grisha in the courtyard in the village of Abramy, some 160 km northwest of Minsk, on February 21, 2017. (Photo by Sergei Gapon/AFP Photo)

WWII veterans attend a ceremony to place tobacco pouches of soil from WWII mass graves of Red Army soldiers abroad, in the custody of the Central Armed Forces Museum in Moscow, Russia on March 6, 2020. The grave soil has been brought from Abkhazia, Germany, Kyrgyzstan, US, Ukraine, France, Estonia, Mongolia, Bulgaria, UK, Uzbekistan and South Ossetia. (Photo by Alexander Shcherbak/TASS)

Russian Orthodox priest, Father Nikolai Gensitsky, speaks with believers while having a festive meal during the Easter celebrations in a church in the village of Yekaterininskoye in Omsk Region, Russia on April 19, 2020. (Photo by Alexey Malgavko/Reuters)

Children wearing military uniform take part in a parade, held by Russian servicemen, pupils of infant and primary schools, which is a public event to honour World War Two veterans and to mark the upcoming Victory Day, in Rostov-on-Don, Russia on April 25, 2019. (Photo by Sergey Pivovarov/Reuters)

Revellers help a man crowdsurf as they watch The Slaves perform on The Other Stage at the Glastonbury Festival of Music and Performing Arts on Worthy Farm near the village of Pilton in Somerset, South West England, on June 30, 2019. (Photo by Oli Scarff/AFP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.