A woman plays billiards during a local championship at a sports hall in Yemen's capital Sanaa on December 16, 2019. (Photo by Mohammed Huwais/AFP Photo)

A man and his son ride a horse at Tahrir Square in Sanaa, Yemen on January 21, 2021. (Photo by Khaled Abdullah/Reuters)

Elfyn Evans of Great Britain and Daniel Barritt of Great Britain compete in their M-Sport WRT Ford Fiesta RS WRC during Day One of the WRC Australia on September 11, 2015 in Coffs Harbour, Australia. (Photo by Massimo Bettiol/Getty Images)

People make their way on an algae-covered beach in Qingdao, Shandong province, China, July 19, 2015. (Photo by Reuters/Stringer)

Elizabeth Hurley (L) and Nicole Scherzinger serve dinner at the BOVET 1822 Brilliant is Beautiful Gala benefitting Artists for Peace and Justice's Global Education Fund for Women and Girls at Claridge's Hotel on December 1, 2017 in London, England. (Photo by Vianney Le Caer/Rex Features/Shutterstock)

Children ride on the back of a truck at a camp for internally displaced people (IDPs) in Marib, Yemen on September 9, 2021. (Photo by Ali Owidha/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)