Soldiers ask a tourist to evacuate Mirador beach ahead of Hurricane Beryl's expected arrival in Tulum, Mexico, July 4, 2024. (Photo by Fernando Llano/AP Photo)

Portuguese police detains a woman that was protesting against the demonstration against “uncontrolled immigration” called by Portuguese far-right party Chega in Lisbon on September 29, 2024. (Photo by Patrícia de Melo Moreira/AFP Photo)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)

Passengers travel in an overcrowded train in the eastern Indian city of Patna, February 23, 2010. (Photo by Krishna Murari Kishan/Reuters)

A Muslim dervish sings a traditional Sufi song near a rally for the Mawlid al-Nabi holiday, marking the birthday of Islam's prophet, Muhammad, in Lahore, Pakistan, Sunday, November 10, 2019. To mark the holiday, thousands take part in religious processions, ceremonies and distribute free meals to the poor. (Photo by K.M. Chaudary/AP Photo)

German car manufacturer BMW presents the “Vision Next 100” concept car during the 100th anniversary celebrations in Munich, Germany, Monday, March 7, 2016. (Photo by Matthias Schrader/AP Photo)

Inmates are seen at the transgender gallery in La Joya prison on the outskirts of Panama City, Panama February 3, 2016. Inmates of La Joya prison on the outskirts of Panama City are housed in makeshift cells amid heavy overcrowding, living in grimy conditions and with limited medical attention. Many prisoners in the Central American nation languish for years without being sentenced. (Photo by Carlos Jasso/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)