A person is detained after a shooting incident of Slovak PM Robert Fico, after a Slovak government meeting in Handlova, Slovakia, on May 15, 2024. (Photo by Radovan Stoklasa/Reuters)

Tattoo enthusiasts pose for a photo during the 14th Expotattoo Colombia Fair in Medellin, Colombia, on May 26, 2024. (Photo by Jaime Saldarriaga/AFP Photo)

Jolie from China, who says she is afraid of the sun, stands near the Colosseum amid a heatwave in Rome, Italy on June 20, 2024. (Photo by Guglielmo Mangiapane/Reuters)

An Asian elephant swims in a pool with transparent sides at Fuji Safari Park in Susono city of Shizuoka Prefecture on August 8, 2024. Paddling with chunky legs and using their trunks as a snorkel, the elephants at Fuji Safari Park in Japan are taking a dip in their summer swimming pool – with each graceful movement visible thanks to a special see-through tank. (Photo by Yuichi Yamazaki/AFP Photo)

Young Ian Archibald ponders the consequences of a complex critical study of beauty contestants during the Miss TV Times finals in London. (Photo by Central Press/Getty Images). 30 July 1971

Model Amanda Kaspor of Highland, Michigan poses with the CT&T e-Zone Plus electric car is displayed during the press preview for the world automotive media North American International Auto Show at the Cobo Center January 12, 2010 in Detroit, Michigan. (Photo by Bryan Mitchell/Getty Images)

Manuela Vargas at a dress rehearsal for “The Tigress of the Flamenco” given by her company at the Vaudeville Theatre, London. (Photo by Dennis Oulds/Central Press/Getty Images). 4th November 1964

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)