Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

Indian Air Force soldiers toss their rifles as they perform during the full-dress rehearsal for Indian Air Force Day at the Hindon air force station on the outskirts of New Delhi October 6, 2015. (Photo by Anindito Mukherjee/Reuters)

People take part in a Halloween street party at Lan Kwai Fong on October 31, 2016 in Hong Kong. Halloween, a contraction of All Hallows' Evening, falls on the day before All Saints' Day on November 1, a holiday when Christians remember their deceased loved ones. (Photo by Lam Yik Fei/Getty Images)

A Syrian Democratic Forces (SDF) female fighter's braid is pictured while she is carrying her weapon in Tal Samin village, north of Raqqa city, Syria November 19, 2016. (Photo by Rodi Said/Reuters)

Snow falls as a woman walks her dog in the village of Podolye, 70 kilometers (43 miles) east of St. Petersburg, Russia, early Thursday, May 11, 2017. North winds brought snow to the east of the St. Petersburg region. (Photo by Dmitri Lovetsky/AP Photo)

A couple who did not give their names walk in downtown Havana, February 2, 2015. (Photo by Alexandre Meneghini/Reuters)

A 14 year-old Myanmar girl carries three bags of powdered-limestone to load in to a boat on the bank of Ayeyarwaddy River, on International Women's Day in Mandalay, Myanmar, Tuesday, March 8, 2016. Migrant workers living along Ayeyarwaddy riverbank earn bout 5000 Kyats (US Dollar 4) a day for loading and unloading goods. (Photro by Hkun Lat/AP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)