A naked holy man pulls a vehicle using his pen*s during the Magh mela festival in Allahabad, India on January 3, 2018. (Photo by Prabhat Kumar Verma/ZUMA Wire/Rex Features/Shutterstock)

Mini Amsterdam has launched a promotion campaign for their brand new creation Mini Copper. The idea is that Mini Copper is so small that it could fit in a box. Thus, as part of the promotion campaign, huge cardboard boxes were left in various popular placed of Amsterdam, making it look as if someone has bought a Mini Copper and thrown out the cardboard box it came in. Of course it is simply a commercial; however, it clearly illustrates just how small the Mini Copper really is. This is a perfect vehicle to handle narrow streets and lack of parking space. Truly, this vehicle could be parked just about anywhere! (Photo by JWT)

In this Friday, March 28, 2014 photo, singers of the Moranbong Band, Jong Su Hyang, foreground, and Pak Mi Kyong, left perform on their stage in Pyongyang, North Korea. Step aside, Sea of Blood Opera. North Korean leader Kim Jong Un's favorite guitar-slinging, miniskirt-sporting girl group, the Moranbong Band, is back. And these ladies know how to shimmy. (Photo by Jon Chol Jin/AP Photo)

“The Sloan Digital Sky Survey III (SDSS-III) has released the largest-ever three-dimensional map of massive galaxies and distant black holes, which will help astronomers explain the mysterious “dark matter” and “dark energy” that scientists know makes up 96 percent of the Universe”. – SDSS-III

Photographer Patrick Halls likes to make the people he takes photos of uncomfortable in order to “capture a real emotion”. It is no wonder that for his latest project, he decided to stun his subjects with a taser.

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.