Mexican wrestler known as Mini Psycho walks inside the Basilica of Our Lady Guadalupe during the annual pilgrimage in Mexico City, Mexico August 25, 2016. (Photo by Carlos Jasso/Reuters)

Young migrants gesture during a day of solidarity organised by local organizations and resdients for asylum seekers at a makeshift camp outside the foreign office in Brussels, Belgium September 6, 2015. Over 150,000 people seeking to enter Europe have reached Hungary this year, most coming through the southern border with Serbia, and many apply for asylum but quickly try to leave for wealthier EU countries. (Photo by Yves Herman/Reuters)

Amar, who is one-and-a-half years old and a Syrian refugee living in Turkey, looks on as the search for survivors continues in the aftermath of a deadly earthquake in Kahramanmaras, Turkey on February 13, 2023. (Photo by Suhaib Salem/Reuters)

A young marcher high fives the crowd as Australian military personnel, past and present, commemorate ANZAC Day during a parade through the city centre in Sydney, Australia on April 25, 2023. (Photo by Jaimi Joy/Reuters)

Life as tenant farmers in Kasungu, northern Malawi, can be a struggle for families trapped in poverty, who feel forced to rely on their children’s help, impacting schooling. Here: A tobacco field at a farm in Kasungu region, Malawi. Tobacco is the country’s most important export crop, with tobacco leaf from Malawi filling cigarettes found all over the world. Here: Tiyamike Phiri hopes to become a nurse because she wants to travel the country and help others. (Photo by David Levene/The Guardian)

Stefania and Mariah play with a hose in South Norwood, United Kingdom on June 1, 2021. (Photo by Joe Plimmer/The Guardian)

Children hitch a ride with a passing tram in Dnipro, Ukraine on March 19, 2024. (Photo by Jack Hill/The Times)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)