Members of the Indonesian Presidential Security Forces (Paspampres) show their skills during the simulation of a terrorist attack in Jakarta, Indonesia, 29 December 2016. According to reports in local media the Indonesian security forces have already arrested 21 terrorists suspects and fatally shot five of them, who were allegedly planning attacks in the Indonesian capital during the Christmas and New Year's Eve celebrations this year. The presentation was shown on the occasion of a visit by Indonesian President Joko Widodo and a delegation to the Paspampres headquarters in Jakarta. (Photo by Bagus Indahono/EPA)

A woman takes a selfie in front of a Lunar New Year display featuring sheep at a shopping mall in Hong Kong, February 13, 2015. (Photo by Bobby Yip/Reuters)

An injured supporter of Ivory Coast's Laurent Gbagbo reacts outside the premises of Hotel Golf, where Gbagbo is currently being held after his arrest, in Abidjan April 11, 2011. The trial of Laurent Gbagbo on charges of crimes against humanity during post-election violence, in which around 3,000 people were killed, will begin on January 28, 2016 at the International Criminal Court. (Photo by Reuters/Stringer)

A Colombian soldier hugs his girlfriend during the graduation ceremony of soldiers in Nilo, Colombia, February 17, 2017. The soldiers will be deployed to occupy territories formerly controlled by FARC rebels. (Photo by Jaime Saldarriaga/Reuters)

Two dummy tanks being pushed along a road by German soldiers. (Photo by Hulton Archive/Getty Images). Circa 1925

An archer in a samurai warrior costume aims at a target in the Asakusa Yabusame horseback archery event at Sumida Park in Tokyo, Saturday, April 18, 2015. (Photo by Shizuo Kambayashi/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)