A Polish Army tank takes part in the NATO Noble Jump exercise on a training range near Swietoszow Zagan, Poland, Thursday, June 18, 2015. (AP Photo/Alik Keplicz)

A woman in traditional Malaysian attire welcomes leaders to the official dinner at the venue of the Association of Southeast Asian Nations (ASEAN) Summit in Kuala Lumpur, Malaysia November 21, 2015. (Photo by Jorge Silva/Reuters)

The Jet Propulsion Lab team's RoboSimian robot turns on a valve at a simulated disaster-response course during day one of the Defense Advanced Research Projects Agency (DARPA) Robotics Challenge finals in Pomona, California, June 5, 2015. (Photo by David McNew/Reuters)

New York City is populated with millions of people that each serve as an essential piece of the city's eclectic pie. The Big Apple's offering of unique and diverse individuals is arguably unmatched. We always hear about what a melting pot this immense metropolis is with its endless supply of quirky characters and the ongoing photo series known as Humans of New York proves it.

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

Austrian photographer Klaus Pichler has come up with an interesting and creative take on portrait photography – his photo series “Just The Two Of Us” features portraits of people dressed as their cosplay alter-egos. What’s fun about this series is that it seems to combine the costumed characters and the people wearing them, as the sometimes-fearsome characters are photographed in the relatively tame safety of their own homes.

The Northern Lights glow green in a spectacular light show above a field of trees frozen solid with snow. (Photo by Jaak Sarv/Solent News & Photo Agency)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)