A Ukrainian dancer of the Kyiv City Ballet company stretches prior to a performance at the Theatre de Chatelet, in Paris, Tuesday, March 8, 2022. The Kyiv City Ballet danced to a full house in Paris for the last show of a French tour that has left the company stranded after the war broke out in Ukraine. They described being physically and emotionally exhausted. Being given the opportunity to train and dance was for many a chance to focus on something other than the war. (Photo by Thibault Camus/AP Photo)

Participants at the Dubai Run at Sheikh Zayed Road in Dubai, United Arab Emirates on November 26, 2021. (Photo by Ruel Pableo for The National)

Portrait category, bronze award winner. Purple-crested Turaco Gallirex porphyreolophus. Lower Mpushini, near Pietermaritzburg, KwaZulu-Natal, South Africa. (Photo by Richard Flack/Bird Photographer of the Year 2022)

A member of the Grupa Magnifica acrobatics club poses for a photo on the Baltic Sea beach during sunset in the town of Leba, Pomeranian region, on August 6, 2024. (Photo by Sergei Gapon/AFP Photo)

Children's author and charity fundraiser Chris Green, of Embsay, near Skipton, has been dubbed “Rhino Boy” as he has pledged to run 40 marathons and other events dressed as a Rhino to raise money for Save the Rhino on January 2020. (Photo by South West News Service/Yorkshire Post)

These black-and-white photos are taken from the new book “Armoured Warfare in the First World War 1916 – 1918” by Anthony Tucker-Jones and published by Pen & Sword Military. Here: British troops hitch a ride on a Mark IV after the massed tank fleet spearheading attack at Cambrai on November 20, 1917. (Photo by Anthony Tucker-Jones/Mediadrumworld.com)

Fireplace for children, Trondheim, Norway, by Haugen/Zohar. The children of Trondheim come to sit around the fire and tell stories in this whimsical cone hut, made with materials recycled from a construction site. (Photo by Jason Havneraas/The Guardian)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)