The model Dovima in a suit and cloche hat at Les Deux Magots cafe in Paris, France in 1955. (Photo by Richard Avedon/The Richard Avedon Foundation/The Guardian)
A monument with old MiG fighter jet is seen next to a damaged civil infrastructure building at the site of a Russian military strike, as Russia's attack on Ukraine continues, in Vinnytsia, Ukraine on July 14, 2022. (Photo by Valentyn Ogirenko/Reuters)
A family poses for a picture in front of the carcasses of sacrificed buffalos a day after the sacrificial ceremony of the “Gadhimai Mela” festival held in Bariyapur November 29, 2014. Sword-wielding Hindu devotees in Nepal began slaughtering thousands of animals and birds in a ritual sacrifice on Friday, ignoring calls by animal rights activists to halt what they described as the world's largest such exercise. (Photo by Navesh Chitrakar/Reuters)
Tourists play on the “Big” piano inside of the toy store FAO Schwarz on the last day that the store will be open in New York, July 15, 2015. FAO Schwarz will officially close the doors of its flagship Fifth Avenue toy store in New York City on Wednesday night, to the dismay of shoppers charmed by the iconic destination for childhood fun. (Photo by Lucas Jackson/Reuters)
A boy moves away as a United Nations World Food Programme (WFP) helicopter lands in Rubkuai village, Unity State, northern South Sudan, February 18, 2017. South Sudan on Monday declared famine in some parts of the country, with more than three years of war leaving nearly five million hungry in what aid groups called a “man-made” tragedy. (Photo by Siegfried Modola/Reuters)
“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)