These romantic sepia shots show lovers enjoying quiet, unguarded moments together – but the subjects are not besotted couples; they are fearsome big cats. Freelance snapper Goran Anastasovski has devoted more than 10 years of his life to photographing big cats and other animals. The 46-year-old from Macedonia aims to emphasize their human qualities in his photographs. (Photo by Goran Anastasovski/Caters News)

People dressed as a zombie taking part in Zombie Parade on a streets of Belgrade during a zombie walk in Belgrade, on October 26, 2014. The zombie walk is part of the events of upcoming Serbian film fiction festival. (Photo by Oksana Toskic/SIPA Press)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

A truck driver, butcher and firefighter are some of the subjects in the latest project by the photographer Chris Crisman. This series portrays women at work and focuses on occupations traditionally seen as male dominated. Here: Firefighter Mindy Gabriel, from Upper Arlington, Ohio. (Photo by Chris Crisman/The Guardian)

Untitled. (Photo by Lee Jeffries). P.S. The person in the photo – poured-out our yard keeper Volodya (it has no surnames, therefore it's simple – Volodya). It too the homeless, and too the good person (it's visible according to eyes). Looks after stray dogs and cats, every day feeds crowd of pigeons in a yard... I am on friendly terms with it. =) (Forgive please me for bad English – Translate.ru very much tried to inform to you my scanty thought).

A portrait of Eric Abidal of Lyon prior to the UEFA Champions League Group D match between Olympique Lyonnais and Manchester United at the Municipal de Garland Stadium on September 15, 2004 in Lyon, France.

Grand Rapids (Michigan) based illustrator and artist Scott Gundersen creates his portraits from thousands of used and recycled corks. Starting with a large photograph that’s transferred to a drawing, Gundersen pins each cork to the canvas, creating a correlation between the hues of the wine-stained corks and the value of light or shadow in the portrait. Scott Gundersen has made these incredible portraits, one using 3,621, 3,842 and the other using 9,217 natural wine corks.