Shimmering clearest blue and stretching as far as the eye can see, this is one of Iceland's famed crystal ice caves. The giant solid waves look frozen in time but they are slowly moving along as part of the Vatnajokull Glacier – which stretches across eight per cent of the island. The images were captured in February 2014 by British photographer Rob Lott, 49. Photo: A wide view of Rob Lott in the crystal ice cave in the Vatnajokull Glacier, Iceland. (Photo by Rob Lott/Barcroft Media)

North Korea has closed its borders in fear of the spread of the Ebola virus. But at a time when the secretive state was still welcoming tourists, former aid worker Andrew Macleod made the journey to the repressive nation. Andrew's holiday snaps and camera footage provide a unique insight into the reclusive country, where he came across deserted motorways, metro stations plastered with propaganda and attractive border guards. Here: a female traffic police officer in the snow in February 2013, in Pyongyang, North Korea. (Photo by Andrew Macleod/Barcroft Media)

Ice swimmer Klaudia prepares to swim in a filled up water kettle in an ice cave inside the Nature Ice Palace, with a hight of 3,250 meters (10,663 feet) above sea level, at Hintertux Glacier near Hintertux, some 480 kilometers (298 miles) western of Vienna, Austria, 28 July 2018. (Photo by Christian Bruna/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Cattle are the most important way of livelihood for the Karamojong: they provide milk, meat, blood and money when sold, Karamoja, Uganda, February 2017. (Photo by Sumy Sadurni/Barcroft Images)

Snakes are collected and rolled before putting into the oven on March 2, 2014 in the village of Kertasura, Cirebon, Indonesia. At slaughter house snake skins measuring in the hundreds of metres, are sold to bag factories in the West and Central Java provinces on a monthly basis. From snake skin was manufactured into bags, shoes, wallets and belts. The price of a bag made from snake skin costs between 150,000 rupiah ($15 USD) and 300,000 rupiah ($30 USD), depending on its size. When snake skins reach Western fashion houses their price can increase dramatically and sell for up to $4,000 USD. (Photo by Nurcholis Anhari Lubis/Getty Images)

Raka Soko, a traditional healer and Poro society member is deep in prayer while holding a broom and a bottle filled with spiritual wine that is purified to show gratitude to the gods before a ceremony in Waterloo on November 26, 2018. Standing across the field from him another member, Amos Nicol, holds a statue of the spiritual god Sama Yorbu which is used to communicate directly to other gods for permission to perform. (Photo by Lynn Rossi/AFP Photo)

This photo taken on February 1, 2018 shows a worker trimming the skin imperfections of a silicone doll at a factory of EXDOLL, a firm based in the northeastern Chinese port city of Dalian. With China facing a massive gender gap and a greying population, a company wants to hook up lonely men and retirees with a new kind of companion: “Smart” sеx dolls that can talk, play music and turn on dishwashers. (Photo by Fred Dufour/AFP Photo)