A fisherman throws his net to catch fish in a lagoon in Batticaloa November 24, 2015. (Photo by Dinuka Liyanawatte/Reuters)

A fisherman waits to catch fish as he sits atop a stilt in the sea in Koggala, Sri Lanka on July 4, 2019. (Photo by Dinuka Liyanawatte/Reuters)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

“The Net thrower”. The fisherman are conducting activities on Situgunung Lake. Photo location: Situgunung lake, Sukabumi, West Java, Indonesia. (Photo and caption by Dody Kusuma/National Geographic Photo Contest)

Well before Corey Arnold ever thought about photography, he fished. As a child, he dressed as a fisherman for four consecutive Halloweens, and once brought a dead 3-foot Mako shark to school for show-and-tell. He knew he wanted to be a professional fisherman, even if he didn’t understand what that actually meant.

Fisherman transport sharks to the fish market in the traditional fishing port in Banda Aceh, Indonesia, 26 August 2020. According to media reports, the marine and fisheries sector is considered as one of the affected by the coronavirus pandemic, affecting more than 3.5 million fishermen and all sectors working throughout the supply chain. (Photo by Hotli Simanjuntak/EPA/EFE)

Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.