A model presents a creation by Bulgarian designers Livia Stoianova and Yassen Samouilov as part of their Haute Couture Spring/Summer 2016 fashion show for fashion house On Aura Tout Vu in Paris January 25, 2016. (Photo by Gonzalo Fuentes/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

A British woman plays a piano designed especially for people who are confined to bed. Date: 1935. (Photo by Mary Evans Picture Library/Caters News)

A new monorail service in Houston, Texas, ready for its inaugural service. (Photo by Evans/Three Lions/Getty Images). Circa 1950

Antonina Petkovic walks the runway during the Jean Paul Gaultier Spring Summer 2016 show as part of Paris Fashion Week on January 27, 2016 in Paris, France. (Photo by Pascal Le Segretain/Getty Images)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)