Ginger Stanley performs a grand jete during her solo underwater ballet at Silver Springs, Florida. (Photo by Bruce Mozert/Three Lions/Getty Images). Circa 1956

Images from my travels with John Paul Caponigro in the spring of 2011. During that week JP inspired me to create this body of work. This is my path, my pathways in arches.

Members of kibbutz Nirim celebrate Shavuot, a Jewish holiday marking both the giving of the Torah and the wheat harvest, at the kibbutz near the border of the besieged Gaza Strip on June 1, 2025, for the first time since the October 2023 attacks by Palestinian militants. (Photo by Menahem Kahana/AFP Photo)

Inspired by a walk in the park and spring flowers, Toronto based wedding photographer Daryl Banks seeks to “simulate the intricate beauty of macro flower photography with crinolines, legs and hosiery.” which visually represents of the feelings of the artist about being transgender.

A model prepares backstage ahead of the Amber & Thomas show during Rosemount Australian Fashion Week Spring/Summer 2011/12 at Overseas Passenger Terminal on May 3, 2011 in Sydney, Australia. (Photo by Ryan Pierse/Getty Images)

From hookers, sеx toys & heartbreak – how Lily Allen’s open marriage imploded, as her ex David Harbour’s lover is named . English singer-songwriter and actress Lily Allen in the last decade of October 2025 put her spectacular marriage breakdown into the public domain. (Photo by Morgan Maher/Perfect Magazine)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)