Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

Rene Penia drives his VW Beetle 1995, locally called “Vocho”, through the streets of Monterrey April 22, 2015. The car was painted by a local artist to be part of an exhibition on the 1960s at the National History Museum in Monterrey where it was on display for five years. Pena bought the car for 25.000 Mexican Pesos (some USD 2,000 at that time) in 2013 during an auction and he then converted the car into an electrical vehicle. (Photo by Daniel Becerril/Reuters)

Revellers cool themselves in the Danube River during the Sziget music festival on an island in Budapest, Hungary August 12, 2015. The event is one of the biggest cultural events of Europe, offering art exhibitions, theatrical and circus performances and music concerts. Almost 200 performers from 47 countries will entertain the hundreds of thousands of visitors from 11 to 18 August. (Photo by Laszlo Balogh/Reuters)

A girl plays with colourful papers at the 23rd Sziget (Island) Festival on Shipyard Island in Budapest, Hungary, 13 August 2015. The festival is one of the biggest cultural events of Europe, offering art exhibitions, theatrical and circus performances and music concerts. Almost 200 performers from 47 countries will entertain the hundreds of thousands of visitors from 11 to 18 August. (Photo by Balazs Mohai/EPA)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

René Maltête was a French photographer and poet. His pictures were based on the element of surprise and incongruity, often having a humorous and even philosophical side to them. At the start of his career, he often had to resort to manual labor as an addition to his to his profession in order to pay the bills. However, René's talent of seeing and being able to capture in time humorous moment of mundane, day-to-day life payed off in the end. Over the years, his works were published in a number of magazines in addition to numerous exhibitions that were held worldwide to popularize his work. (Photo by René Maltête)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)