Artist Vik Muniz is known for his gigantic composite installations and sculptures created from thousands of individual objects. In this new collaboration with artist and MIT researcher Marcelo Coelho, Muniz takes the opposite approach and explores the microscopic with a new series of sandcastles etched onto individual grains of sand.

The endangered antipodean albatross, which is often caught in fishing nets, won most first-choice votes out of the more than 55,000 votes cast during the 2020 New Zealand’s bird of the year competition. (Photo by Wildestanimal/Getty Images)

An installation consisting of a series of bird boxes is displayed in a tree in Duncan Terrace Gardens in Islington on March 24, 2011 in London, England. The boxes by artists Bruce Gilchrist and Jo Joelson of “London Fieldworks”, were designed to reflect the architecture of the Georgian terraces and flats that surround the park in the community gardens. (Photo by Dan Kitwood/Getty Images)

Beach goers sunbath inside a new large scale interactive art work by artist Gregor Schneider entitled “Bondi Beach” at Sydneys Bondi Beach on September 28, 2007 in Sydney, Australia. (Photo by Sergio Dionisio/Getty Images)

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

A model sports beachwear designed by Gottex during the Canal Catwalk fashion show with clothing dedicated to Kate, Duchess of Cambridge, during the first edition of the World Fashion Fair in Amsterdam, Netherlands, Thursday, May 21, 2015. (Photo by Peter Dejong/AP Photo)

At the 50th anniversary of the Hartford Automobile Club a 1914 Mercer with an economical wind screen, looking like a large magnifying glass, designed to offer minimum wind resistance. Brass is used instead of chrome for the “shiny” parts, circa 1955. (Photo by Three Lions)