A girl smiles during the celebration of Holi at the Art Department of the University of Dhaka in Dhaka, Bangladesh on March 8, 2023. (Photo by Mohammad Ponir Hossain/Reuters)

A student of the Sri Lankan ancient martial art “Angampora” performs during a practice session at the angam maduwa or fighting field, in Korathota, a suburb of Colombo, Sri Lanka, 07 September 2022. Sri Lanka's ancient martial art, Angampora, is thought to be thousands of years old. Anga translates to “body parts” and Angampora is a fighting art that uses body parts. Martial arts practitioners in Angampora were mostly in the king's service, and they were tasked with protecting the king and his kingdom. Angampora was practiced in secret for most centuries because the British, who colonized Sri Lanka, banned it in 1818 after seeing it as a threat. (Photo by Chamila Karunarathne/EPA/EFE)

“The banker”. Underwater Sculpture, Museo Subacuático de Arte, Cancun. (Photo by Jason deCaires Taylor/UnderwaterSculpture)

Tracy Sarita celebrates the sunrise during the Burning Man 2015 “Carnival of Mirrors” arts and music festival in the Black Rock Desert of Nevada, September 3, 2015. Approximately 70,000 people from all over the world are gathering at the sold-out festival to spend a week in the remote desert to experience art, music and the unique community that develops. (Photo by Jim Urquhart/Reuters)

Young artists perform at the presentation of clowns in a hall of the Arts Palace during the first clown festival in Belarus in Bobruisk, some 150 km from Minsk, Belarus, 01 April 2018. About 60 clowns from Belarus and Russia gathered to entertain spectators. For 1 day Bobruisk became a capital of Jokes and Humour. Theaters of clownery, mime-theaters, individual performers of humorous genre, stilts and hospital clowns performed on a stage of the Palace of Arts. (Photo by Tatyana Zenkovich/EPA/EFE)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)