Natalia Lage Rainha de Drums of the Escola de Samba Inocente de Belford Roxo during a presentation in the parade of the Special Group of Carnival in Rio de Janeiro at Avenida Marques de Sapucai, Sambadrome in Rio de Janeiro on April 21, 2021. The Carnival parades that take place in February were postponed to this month of April due to the high number of cases caused during the pandemic caused by COVID-19 (Coronavirus). (Photo by Thiago Ribeiro/AGIF via AFP Photo)

Vendor Nyurgusun Starostina, 47, poses for a picture at an open-air market on a frosty day in Yakutsk, Russia, December 5, 2023. Temperatures in parts of the Sakha Republic, also known as Yakutia and located in the northeastern part of Siberia, went below minus 50 degrees Celsius (minus 58 degrees Fahrenheit) on December 5. (Photo by Roman Kutukov/Reuters)

Marianne Brauns jumping a breakwater on the beach, wearing a structured blue swimsuit with white trim. (Photo by Carl Sutton/Hulton Archive/Getty Images). Circa 1950

A view of the fireworks during the Edge at Hudson Yard's 4th of July Celebration at Edge at Hudson Yards on July 04, 2021 in New York City. (Photo by Roy Rochlin/Getty Images for Edge at Hudson Yards)

The extravagant residence Castello di Sammezzano sits on top of a hill in Tuscany, Northern Italy. Originally it was built in the Moorish style in 1605 for Ximenes d'Aragona and then re-designed between 1853 and 1889. After the war the castello was used as a luxury hotel until closure in the mid to late 1990's. It was abandoned until April 2012 when the FPXA committee was formed, aiming to promote and enhance the castle.

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)