Luis Hernan was always curious about how wireless technologies like radio are transmitted through the air. So after finishing up his studies in architecture, computer science, and design, Hernan decided to research these invisible signals through a PhD at Newcastle University. Hernan set up a system that turned the wireless signals around him into colourful, ghostlike images using long-exposure photography, allowing people to see the strength of the signals around them. (Photo by Luis Hernan)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

Jakob Wagner was born 1985 in Herdecke, Germany. In summer 2008, he successfully completed his three-year apprenticeship as a photographer. He has since been living in Duesseldorf, where he has mainly been working as a freelance photographer, image editor and photo assistant. His work has taken him to many different countries around the world. When Jakob Wagner is not at work by assignment, he devotes much of his time and passion to his personal photography projects, which will culminate in future books and exhibitions. His photographs are available in signed and limited editions.

“Animals take on human characteristics in this photo series by Davide Luciano. Davide’s goal was to achieve personification of these animals’ body parts without the use of motion. Using photography’s ability to manipulate time, Davide presents a snippet of these creature “active” lives by photographing a process, thus creating the illusion of life in these lifeless animal limbs. Recreating the uncomfortable into quizzical and whimsical photos that are bold, colorful, and always comical and satirical”. (Photos and caption by Davide Luciano)

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

For the past 20 years,Marco has divided his time photographing, traveling, and living between italy and France. He regularly participates in workshops in Paris. Sharpening his technical skills and learning to take risks. He has been investigating various photographic styles, including macro-photography of precious stones and insects, portraits and weddings. All of these subjects have given him the opportunity to bring his love for the medium into areas which challenges his capacity to be creative.

I'm born in Russia in a village on the coast of the Sea of ​​Japan. The sea itself that always catches the attention of divers and underwater photographers from all over the Soviet Union.

I started with underwater photography recently, in 1998, with a simple underwater "boom box" "Canon" and "Epic".
Then a "Nikonos-5", complete with wide-angle and close-up.
The first trip to the Red Sea, with colorful fish .. The first attempts to make the macro and the knowledge that this equipment was not good.