Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

Inspired by personal experiences, a mix of cultures, rituals, and travelling the world, artist Jim Skull creates elaborate woven skull sculptures. He likes to be referred to as Jim Skull as a reflection of his interest in skulls; a symbol that he has been working with since the 1980s. He is currently living in France where he creates beautifully crafted sculptures out of rope, Papier-mâché, and other natural materials. He was born in New Caledonia and there’s no doubt that the influences of the tribal arts from Oceania, Africa, and North America are evident within his technique.

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.

A screen shows the new Automated Target Recognition software as a TSA employee, who couldn't provide her name, waits to walk into the advanced imaging technology unit to demostrate the new software that has been installed at Miami International Airport on August 23, 2011 in Miami, Florida. The new software is designed to enhance passenger privacy by eliminating passenger-specific images and instead auto-detecting potential threat items and indicating their location on a screen which shows a generic outline of a person. (Photo by Joe Raedle/Getty Images)

Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

Men carry others, so they do not soil their shoes and clothes, through a mudslide caused by Tropical Storm Erika in Carries, Haiti, August 29, 2015. Erika, a tropical storm that killed 20 people on the Caribbean island of Dominica and at least one person in Haiti, fell apart on Saturday over eastern Cuba, the U.S. National Hurricane Center said. (Photo by Andres Martinez Casares/Reuters)

Ramela Meseljevic, a 7 year-old girl born without both of her hands and one of her legs shorter than the other, writes during classes in the her school in Begov Han, Bosnia and Herzegovina December 2, 2015. International Day of Disabled Persons is observed on December 3 with the theme "Inclusion matters: access and empowerment of people of all abilities". (Photo by Dado Ruvic/Reuters)

Yogis and street performers have been simulating levitation with nifty contraptions forever. They appear to be held aloft via nothing but their preternatural mental prowess. But are really enjoying the benefits of basic physics just like the rest of us when we use a chair. However, just because it’s perfectly explainable doesn’t mean it isn’t nifty. I’m especially impressed by this 2-person version and am still trying to work out how exactly the chair they’re using is shaped at the base.